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The Godfather, Part II [VHS] [VHS Tape] (1998) Al Pacino; Robert De Niro; Rob...
The Godfather, Part II [VHS]
by (Producer: Francis Ford Coppola) (Writer: Francis Ford Coppola) (Producer: Fred Roos) (Producer: Gray Frederickson) (Producer: Mona Skager) (Producer: Robert Evans) (Writer: Mario Puzo)
Francis Ford Coppola
Collectable Like New
3 GREAT GODFATHERS VHS TAPES (COMES IN 3 BOXES WITH A TOTAL OF 6 TAPES). PART 1, 2, 3 (PART 3 IS STILL SEALED). 25TH ANNIVERSARY NOW DIGITALLY MASTERED UNDER THX. BOX AND VHS TAPES ARE IN WONDERFUL CONDITION. YOU WILL RECEIVE THE 3 BOXES. SHIPS RAPIDLY. PRIORITY MAIL TO OVERSEAS, AND TO APO/AFO.
Throughout his long, wandering, often distinguished career Francis Ford Coppola has made many films that are good and fine, many more that are flawed but undeniably interesting, and a handful of duds that are worth viewing if only because his personality is so flagrantly absent. Yet he is and always shall be known as the man who directed the Godfather films, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are our very own Shakespearean cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate, and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?)
Francis Ford Coppola took some of the deep background from the life of Mafia chief Vito Corleone--the patriarch of Mario Puzo's bestselling novel
--and built around it a stunning sequel to his Oscar-winning, 1972 hit film. Robert De Niro plays Vito as a young Sicilian immigrant in turn-of-the-century New York City's Little Italy. Coppola weaves in and out of the story of Vito's transformation into a powerful crime figure, contrasting that evolution against efforts by son Michael Corleone to spread the family's business into pre-Castro Cuba. As memorable as the first film is,
The Godfather II
is an amazingly intricate, symmetrical tragedy that touches upon several chapters of 20th-century history and makes a strong case that our destinies are written long before we're born. This was De Niro's first introduction to a lot of filmgoers, and he makes an enormous impression. But even with him and a number of truly brilliant actors (including maestro Lee Strasberg), this is ultimately Pacino's film and a masterful performance.
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